10 Most Hell-to-the-Yes Moments in Lifetime’s ‘Whitney’

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There’s an glorious reason “Directed by Angela Bassett” is intoxicated all over a ads for Lifetime’s Whitney Houston biopic — entitled, simply, Whitney — and a reason is Aaliyah. Bassett is a network’s approach of saying, “We’re sorry. We guarantee we won’t screw things adult like when we let Wendy Williams do that Aaliyah flick. This one will be all about Quality. This time we’re bringing in an Oscar-nominated Hollywood heading lady who starred in Waiting To Exhale — we remember, a film where Whitney sang that ‘Shoop Shoop’ song. Give us another chance, America. We guarantee there will be song and romance. And drugs. Lots of those.”

Whitney tells a Bobby Brown side of a story, rather than her mom Cissy Houston’s side, already minute in a intense 2013 discourse Remembering Whitney. (Best line: “As most as we adore my daughter, Nippy was no angel. She could be a straight-up heifer to people.”) In this version, Bobby is a trusting plant depraved by Whitney’s party-hearty habits. She’s a one who lures him into drugs, snorting adult a charge while he clutches his drink and says, “I’ll hang with this.” Ah, right, sure.

Fans competence have an emanate or dual with a indeterminate pro-Bobby angle, yet Yaya DeCosta creates a likeable heroine. She was a runner-up on Season Three of America’s Top Model, that competence explain because she does so most smizing in her chronicle of “I’m Every Woman.” She’s roughly too charcterised to play Whitney — she’s a most improved dancer, yet we can tell she’s creation an bid to reason back. The tangible singing is by Deborah Cox, a Nineties RB diva fondly remembered for “Nobody’s Supposed To Be Here,” that ruled a radio a same winter as Whitney’s “Heartbreak Hotel” and will always revoke me to a reservoir of slush.

Bassett or no Bassett, Whitney is still a cheese-intensive Lifetime melodrama, regulating all a tricks of a trade: a immature lady with large dreams, a male who fails her, family disapproval, career pressure, motherhood, lies, tears, prolonged talks with Babyface. Here are a 10 pulpiest — and therefore best — moments. As a good lady once sang: we don’t know because we like it. we only do.

1. Whitney meets Bobby, feels a heat.
First scene: a lady in her limo, en track to a 1989 Soul Train Awards, sighing, “Time to turn Whitney Houston.” You can now tell this is a kind of low-budget Lifetime film where they scrounge adult a integrate dozen extras to play an whole host of fans brisk a red carpet. Whitney is transfixed by saying Bobby sing “Every Little Step.” They coquette backstage, joking about how she didn’t win any awards. (“I’m happy for my lady Anita” — certain we are, Whitney). Right before she goes onstage to sing “The Greatest Love of All,” she declares, “As of tonight, we am a Bobby Brown fan!” What could go wrong?

2. Their initial date.
Shopping, obviously. “We are in Beverly Hills, baby! Rodeo Drive!” Bobby yells. They get mobbed by fans on a path — it looks like a same extras from a Soul Train Awards. Time-warp factor: Bobby has to ask if anyone wants a print with him. Fans were so most some-more respectful behind then!

3. Bobby opens his mail.
Bobby is grooving to his Walkman on a patio when his lassie brings a mail. Nice haul: There’s a check for $24 million and an invitation to Whitney Houston’s 26th birthday party. The invitation willingly reads, “You Are Cordially Invited to Whitney Houston’s 26th Birthday Party.”

4. Whitney saves all her love, nothing of her drugs for Bobby.
Whitney lures Bobby upstairs, accidentally snorting fistfuls of blow as she walks him by her private prize room, with a piano and bullion annals all over a walls. (Jesus, that is some un-Whit-worthy timber paneling.) He looks into her eyes and attracts her with his law Bobby Brown sweet-talk: “Up close, we are so friggin’ beautiful.” Before we know it, they’re fastening over her VHS fasten of a Seventies girl-group film Sparkle. (“Irene Cara, she was something!” “Wasn’t she?”) When Whitney confesses that she tends to shock group away, he replies, “Maybe they only don’t know how to hoop you. Not like Bobby Brown would!”

5. The man who plays Clive Davis is a scream.
Mark Rolston needs to play all schmoozy record-label bosses in Lifetime cinema from now on. (He was a cheap investigator on The Shield as good as a white supremacist in Lethal Weapon 2.) “How’s my favorite staaaaah?” Clive gushes as Whitney struts into his bureau in a yellow energy suit. But he plotzes when she takes out a cigarette. “Not in my office! Whitney, we need to strengthen a voice. And stay divided from yellow — it creates we demeanour like a canary.”

6. Their initial fight!
Whitney and Bobby attend a party honoring her contributions to a United Negro College Fund, yet Mr. My Prerogative gets sceptical after saying Eddie Murphy coquette with her around a remote video couple from a set of Another 48 Hours. On their approach home, in a behind of her limo, a tragedy explodes into a torment fight.

7. Whitney watches Sparkle alone in her room.
As a lady once sang, “When a night falls, loneliness calls.” Whit lounges in her pajamas, eating cold spaghetti while she recites a discourse out shrill along with her favorite movie. It’s a dressing-room theatre where a mom confronts Lonette McKee about her no-account bully boyfriend: “Baby, he’s only gonna drag we to a gutter with him.” Foreshadowing!

8. Whitney tells her family she’s removing married.
Her mama’s evident reaction: “I wish it’s not Bobby Brown.” Cissy, for some reason, is not 100 per cent vivacious during a thought of her small Nippy marrying a artist who’s about to recover “Humpin’ Around.” Yet it’s all blamed on Cissy’s snobbery, as she scoffs, “You can take a child out a ghetto, yet we can’t take a poor out a boy.” (Cissy is a illusory Suzanne Douglas, who played one of Bassett’s girlfriends in How Stella Got Her Groove Back.)

9. Downward turn time.
Suffering from career decrease and writer’s block, Bobby sits during a piano crumpling adult pieces of paper (as we do). Then he calls L.A. Reid’s assistant, screams “You only tell him Bobby Brown got some code new licks that’s about to blow his mind!” and slams down a phone.

10. Bobby tries to come between Whitney and her moment pipe.
Bad move, Bobby. She starts slapping him in a chest and screaming tearfully, i.e. a concept pointer that we are entering a final 15 mins of a Lifetime movie. That sets adult a large ending: Whitney belts “I Will Always Love You,” while Bobby stands on a side of a theatre and feels a pain. Bit-tah-sweet. Memories. That’s all I’m holding with me. Yeah, it’s fundamentally a same final theatre as The Bodyguard. Can we censure them?

Not mentioned in this movie: Mariah Carey, Oprah, Aretha, Dolly Parton, Kevin Costner, Silver Spoons, a Being Bobby Brown existence series, a rest of New Edition, Whitney’s best strike (“How Will we Know?”) or Whitney’s best manuscript (My Love Is Your Love). Lines never spoken in this movie: “Hell to a no,” “Crack is wack,” “I don’t know because we like it — we only do,” “I wish to dance with somebody who loves me.”

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